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May 03 2012

13:35

December 30 2011

16:11

Nieman Storyboard’s top 10 posts for 2011

During the last days of December, we’ve been tweeting down Storyboard’s top 10 posts for the year. In case you haven’t been following along, here they are, all in one place (in reverse order):

10. Internet phenom Maud Newton’s “Why’s this so good?”:

Raymond Chandler sticks it to Hollywood.”

9. Chris Jones, Esquire writer at large, talks with Nieman narrative instructor Paige Williams:

On reporting for detail, the case against outlining and the power of donuts.”

8. Storyboard editor Andrea Pitzer’s “Why’s this so good?”:

Gene Weingarten peels the Great Zucchini.”

7. Peter Ginna, publisher and editorial director of Bloomsbury Press, with

When journalists become authors: a few cautionary tips.”

6. Science and culture writer David Dobbs’ “Why’s this so good?”:

Michael Lewis’ Greek odyssey.”

5. Atlantic senior editor Alexis Madrigal’s “Why’s this so good?”:

Truman Capote keeps time with Marlon Brando.”

4. Science writer Carl Zimmer’s “Why’s this so good?”:

McPhee takes on the Mississippi.”

3. Two celebrated Esquire writers visit Harvard:

Gay Talese has a Coke: reflections of a narrative legend in conversation with Chris Jones.”

2. Nieman Lab assistant editor Megan Garber’s “Why’s this so good?”:

David Foster Wallace on the vagaries of cruising.”

1. Pedro Monteiro’s look at storytelling in the tablet and app future:

Story, interrupted: why we need new approaches to digital narrative.”

Thanks for your support in 2011. We’ve had a banner year here, with a lot of new contributors and record numbers of visitors. We look forward to bringing you even better coverage of new narrative projects and ideas in 2012. Happy New Year!

July 22 2010

12:34

Science bloggers leave AOL in protest at Pepsi sponsorship

Fascinating round-up from David Dobbs about the exodus of science bloggers from AOL’s ScienceBlogs network, part of its Seed magazine title, over the launch of a new blog sponsored by PepsiCo.

The origins of the PepsiCo blog – money rather than merit – would not have matched those of other bloggers on the network: it’s an issue of credibility and trust between the readers and writers, says Dobbs.

Does this advertising-editorial wall ensure good journalism? Unfortunately, no; people find other ways to botch journalism. But in the murky world of media, we need a few firm lines to keep us away from slippery slopes. This pact between publisher, writer, and reader provides one of the most vital. It forms the foundation of reader trust; violating it erodes that foundation. Ads are a necessary evil. Credible publications present them unambiguously as third-party commercial messages so the reader instantly knows someone is selling something. That’s why patching a couple of stickers on a blog that presents itself in every other way as editorial content, as Seed proposed before killing the Pepsi blog, doesn’t work. It’s like sticking a lapel button on a guy at the front of the church in a tuxedo and expecting us to think he’s not part of the wedding. The guy needs different clothes.

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