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July 01 2013

14:59

When building new news products, lightweight experimentation is key

Joey Marburger went into some detail for Source on the creation of The Washington Post’s The Grid. The Grid is meant to be a dynamic and interactive platform for staying up to date on breaking news stories, including an “even mix of photos, instagrams, tweets, articles, videos, animated gifs, quotes, and other content types.”

Marburger explains the collaborative process of building the front and back ends of The Grid and also offers some thoughts on responsive design — but most useful is his explanation of why flexible prototyping is important to building a product that can be widely and productively repurposed.

The media industry has to try new things. When we started conceptualizing The Grid we had no idea where it would take us. Prototyping unlocked more ideas and furthered the concept of The Grid to where it is today. It allows us to try new designs, test new features quickly, and above all, move fast. The Grid changed the culture of how we develop products in the Washington Post newsroom. Yes, the product has been successful, but many more products have been successful because of it. The cultural needle has shifted and that is what technologists do. They change how we work.

June 26 2011

20:21

Fallen in love with Wikipedia? It's time for a love button (this week)

ReadWriteWeb :: Wikipedia is an undeniably good source of information on almost any topic. To keep quality, the community-edited site needs a continuous flow of volunteer editors, and studies show that people are more willing to do that if they have been shown support by other people on the site. With compliments getting harder to come by and criticism more available than ever, it's time to add a love button.

Wikipedia and its love button - continue to read Marschall Kirkpatrick, www.readwriteweb.com

July 22 2010

15:33

Photojournalism student’s work captures attention of New Yorker visual editor

A photojournalism student from the University of Gloucestershire has had her work selected and commented on by Elisabeth Biondi, visual editor of the New Yorker.

Along with other final-year students on the photojournalism and documentary photography course, Deborah Coleman submitted a small selection of images from her major project on the Wootton Bassett repatriation to Source, a photography magazine.

Four students from other universities have also had their work analysed by Biondi for the magazine’s website.

See the full selection of images at this link…Similar Posts:



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