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April 20 2012
Model for the 21st Century Newsroom Redux: part 1 on BBC College of Journalism blog
The BBC College of Journalism asked me to revisit my Model for the 21st Century Newsroom 4 years on. You can now read the first part of the results on their blog - with further substantial parts to follow next week. Thoughts welcome.
Model for the 21st Century Newsroom Redux: part 1 on BBC College of Journalism blog
The BBC College of Journalism asked me to revisit my Model for the 21st Century Newsroom 4 years on. You can now read the first part of the results on their blog - with further substantial parts to follow next week. Thoughts welcome.
March 28 2012
February 20 2012
“All that is required is an issue about which others are passionate and feel unheard”
Here’s a must-read for anyone interested in sports journalism that goes beyond the weekend’s player ratings. As one of the biggest names in European football goes into administration, The Guardian carries a piece by the author of Rangerstaxcase.com, a blogger who “pulled down the facade at Rangers”, including a scathing commentary on the Scottish press’s complicity in the club’s downfall:
“The Triangle of Trade to which I have referred is essentially an arrangement where Rangers FC and their owner provide each journalist who is “inside the tent” with a sufficient supply of transfer “exclusives” and player trivia to ensure that the hack does not have to work hard. Any Scottish journalist wishing to have a long career learns quickly not to bite the hands that feed. The rule that “demographics dictate editorial” applied regardless of original footballing sympathies.
“[...] Super-casino developments worth £700m complete with hover-pitches were still being touted to Rangers fans even after the first news of the tax case broke. Along with “Ronaldo To Sign For Rangers” nonsense, it is little wonder that the majority of the club’s fans were in a state of stupefaction in recent years. They were misled by those who ran their club. They were deceived by a media pack that had to know that the stories it peddled were false.”
Over at Rangerstaxcase.com, the site expands on this in its criticism of STV for uncritical reporting:
“There does not appear to be a point where the media learns its lessons. There is no capacity for improvement. No voice that says: we have been misled by people from this organisation so often in the past that we need to get corroboration before we publish anything more. Alastair Johnston, you will recall, artfully created the impression for Rangers’ supporters and shareholders that the payment of the tax bills that are now crushing their club would be the responsibility of the parent company. His words then were carefully chosen to avoid actually lying, but his intended audience seemed in little doubt at the time as to what they thought he meant. Either Mr. Johnston has been misrepresented by STV or he appears to be trying to gain an advantage in the battle to oust Whyte by misleading Rangers’ supporters.”
The piece also includes some interesting reflections on collaborative journalism and crowdsourcing:
“Rangerstaxcase.com has become a platform for some of the sharpest minds and most accomplished professionals to share information, debate, and form opinions based upon a rational interpretation of the facts rather than PR-firm fabrications. In all of the years when the mainstream media had a monopoly on opinion forming and agenda setting, the more sentient football fan had no outlet for his or her opinions. Blogs and other modern media, like Twitter, have democratised information distribution.
“Rangerstaxcase.com has gone far beyond its half-baked “I know a secret” origins to become a forum for citizen journalism. The power of the crowd‑sourced investigation initiated by anyone who is able to ignite the interest of others is a force that has the potential to move mountains in our society. All that is required is an issue about which others are passionate and feel unheard.”
Rangerstaxcase.com is not unique. Combine the passion of sports supporters with the lack of critical faculty in much sports journalism and you have potentially fertile ground.
For my own club, Bolton Wanderers, for example, I turn to Manny Road (site currently laid low by a malware attack).
For the Olympics there will be a regular and easy supply of good news stories to wade through, but also an extremely active network of local and international blogs from people scrutinising the foggier side of the Olympic spirit, which is why I set up Help Me Investigate the Olympics and am encouraging my students to connect with those communities.
February 09 2012
Games are just another storytelling device
Whenever people talk about games as a potential journalistic device, there is a reaction against the idea of ‘play’ as a method for communicating ‘serious’ news.
Malcolm Bradbrook’s post on the News:Rewired talk by Newsgames author Bobby Schweizer is an unusually thoughtful exploration of that reaction, where he asks whether the use of games might contribute to the wider tabloidisation of news, the key aspects of which he compares with games as follows:
- “Privileging the visual over analysis - I think this is obvious where games are concerned. Actual levels of analysis will be minimal compared to the visual elements of the game
- “Using cultural knowledge over analysis - the game will become a shared experience, just as the BBC’s One in 7bn was in October. But how many moved beyond typing in their date of birth to reading the analysis? It drove millions to the BBC site but was it for the acquisition of understanding or something to post on Facebook/Twitter?
- “Dehistoricised and fragmented versions of events - as above, how much context can you provide in a limited gaming experience?”
These are all good points, and designers of journalism games should think about them carefully, but I think there’s a danger of seeing games in isolation.
Hooking the user – and creating a market
With the BBC’s One in 7bn interactive, for example, I’d want to know how many users would have read the analysis if there was no interactive at all. Yes, many people will not have gone further than typing in their date of birth – but that doesn’t mean all of them didn’t. 10% of a lot (and that interactive attracted a huge audience) can be more than 100% of few.
What’s more, the awareness driven by that interactive creates an environment for news discussion that wouldn’t otherwise exist. Even if 90% of users (pick your own proportion, it doesn’t matter) never read the analysis directly, they are still more likely to discuss the story with others, some of whom would then be able to talk about the analysis the others missed.
Without that social context, the ‘serious’ news consumer has less opportunity to discuss what they’ve read.
News is multi-purpose
Then there’s the idea that people read the news for “acquisition of understanding”. I’m not sure how much news consumption is motivated by that, and how much by the need to be able to operate socially (discussing current events) or professionally (reacting to them) or even emotionally (being stimulated by them).
As someone who has tried various techniques to help students “acquire understanding”, I’m aware that the best method is not always to present them with facts, or a story. Sometimes it’s about creating a social environment; sometimes it’s about simulating an experience or putting people in a situation where they are faced with particular problems (all of which are techniques used by games).
Bradbrook ends with a quote from Jeremy Paxman on journalism’s “first duty” as disclosure. But if you can’t get people to listen to that disclosure then it is purposeless (aside from making the journalist feel superior). That is why journalists write stories, and not research documents. It is why they use case studies and not just statistics.
Games are another way of communicating information. Like all the other methods, they have their limitations as well as strengths. We need to be aware of these, and think about them critically, but to throw out the method entirely would be a mistake, I think.
For more background on games in journalism, see my Delicious bookmarks at http://delicious.com/paulb/gamejournalism
January 16 2012
Comment call: Objectivity and impartiality – a newsroom policy for student projects
I’ve been updating a newsroom policy guide for a project some of my students will be working on, with a particular section on objectivity and impartiality. As this has coincided with the debate on fact-checking stirred by the New York Times public editor Arthur Brisbane, I thought I would reproduce the guidelines here, and invite comments on whether you think it hits the right note:
Objectivity and impartiality: newsroom policy
Objectivity is a method, not an element of style. In other words:
- Do not write stories that give equal weight to each ‘side’ of an argument if the evidence behind each side of the argument is not equal. Doing so misrepresents the balance of opinions or facts. Your obligation is to those facts, not to the different camps whose claims may be false.
- Do not simply report the assertions of different camps. As a journalist your responsibility is to check those assertions. If someone misrepresents the facts, do not simply say someone else disagrees, make a statement along the lines of “However, the actual wording of the report…” or “The official statistics do not support her argument” or “Research into X contradict this.” And of course, link to that evidence and keep a copy for yourself (which is where transparency comes in).
Lazy reporting of assertions without evidence is called the ‘View From Nowhere’ – you can read Jay Rosen’s Q&A or the Wikipedia entry, which includes this useful explanation:
“A journalist who strives for objectivity may fail to exclude popular and/or widespread untrue claims and beliefs from the set of true facts. A journalist who has done this has taken The View From Nowhere. This harms the audience by allowing them to draw conclusions from a set of data that includes untrue possiblities. It can create confusion where none would otherwise exist.”
Impartiality is dependent on objectivity. It is not (as subjects of your stories may argue) giving equal coverage to all sides, but rather promising to tell the story based on objective evidence rather than based on your own bias or prejudice. All journalists will have opinions and preconceived ideas of what a story might be, but an impartial journalist is prepared to change those opinions, and change the angle of the story. In the process they might challenge strongly-held biases of the society they report on – but that’s your job.
The concept of objectivity comes from the sciences, and this provides a useful guideline: scientists don’t sit between two camps and repeat assertions without evaluating them. They identify a claim (hypothesis) and gather the evidence behind it – both primary and secondary.
Claims may, however, already be in the public domain and attracting a lot of attention and support. In those situations reporting should be open about the information the journalist does not have. For example:
- “His office, however, were unable to direct us to the evidence quoted”, or
- “As the report is yet to be published, it is not possible to evaluate the accuracy of these claims”, or
- “When pushed, X could not provide any documentation to back up her claims”.
Thoughts?
January 09 2012
19 free ebooks on journalism (for your Xmas Kindle)
As many readers of this blog will have received a Kindle for Christmas I thought I should share my list of the free ebooks that I recommend stocking up on.
Online journalism and community management
Starting with more general books, Mark Briggs‘s book Journalism 2.0 (PDF) is now 4 years old but still provides a good overview of online journalism to have by your side. Mindy McAdams‘s 42-page Reporter’s Guide to Multimedia Proficiency (PDF) adds some more on that front, and The Society of Professional Journalists‘s Digital Media Handbook Part 1 (PDF) and Part 2 provide a pot-pourri of extra bits and pieces including computer assisted reporting (CAR).
For more on CAR, the first edition of Philip Meyer‘s classic The New Precision Journalism is also available in full online, although you’ll have to download each chapter in Word format and email it to your Kindle for conversion. It’s worth it: 20 years on his advice is still excellent.
On community management, Jono Bacon‘s The Art of Community (PDF), comes in at over 360 pages. It’s a thorough exploration – told largely through his own experiences – of an area that too few journalists understand. A useful complement to this is Yochai Benkler‘s landmark book on how networked individuals operate, The Wealth of Networks, which is available to download in full or part online from his page at Harvard University’s Berkman Center.
Staying savvy in the information war
If you’re reporting on health issues – or ever expect to deal with a press release from a health company – Testing Treatments (PDF) is well worth a read, providing an insight into how medicines and treatments are tested, and popular misconceptions to avoid. It’s littered with examples from reporting on health in the media, and well written. And if you need persuading why you should care, read this post (all of it) by Dr Petra Boynton on what happens when journalists fail to scrutinise press releases from health companies. It’s also free to download, so what’s your excuse?
And also on the subject of keeping your wits about you, Dan Gillmor‘s latest book on media literacy, Mediactive, is published under a Creative Commons licence as a PDF,
Culture, copyright and code
Lawrence Lessig has written quite a few books about law and how it relates to the media when content becomes digitised, as well as code more generally. Most of his work is available online for free download, including The Future of Ideas (PDF), Code 2.0 (PDF), Remix, and Free Culture.
Matt Mason‘s book on how media culture is changed by “pirates” gives you a choice: you can download The Pirate’s Dilemma for whatever price you choose to pay, including nothing.
Investigative Journalism
Mark Lee Hunter has written 2 great free ebooks which strip away the mystique that surrounds investigative journalism and persuades so many journalists that it’s something ‘other people do’.
The first, Story-Based Inquiry (PDF), is an extremely useful guide to organising and focusing an investigation, demonstrating that investigative journalism is more about being systematic than about meeting strangers in underground car parks.
The second, The Global Casebook (PDF), is brilliant: a collection of investigative journalism – but with added commentary by each journalist explaining their methods and techniques. Where Story-Based Inquiry provides an over-arching framework; The Global Casebook demonstrates how different approaches can work for different stories and contexts.
For more tips on investigative journalism the Investigative Journalism Manual (you’ll have to download each chapter separately) provides guidance from an African perspective which still applies whatever country you practise journalism.
And if you’re particularly interested in corruption you may also want to download Paul Radu‘s 50-page ebook Follow The Money: A Digital Guide for Tracking Corruption (PDF).
Related subjects: design, programming
That’s 17 books but if you want to explore design or programming there are dozens more out there. In particular, How to Think Like a Computer Scientist is a HTML ebook, but the Kindle deals with HTML pages too. Also in HTML is Digital Foundations: Introduction to Media Design (h/t Jon Hickman).
Have I missed anything?
Those are just the books that spring to mind or that I’ve previously bookmarked. Are there others I’ve missed?
Announcing Tableau as latest sponsor of news:rewired – media in motion

Data visualisation tool Tableau is returning as sponsor of news:rewired – media in motion, Journalism.co.uk’s digital journalism conference.
The one-day conference, which takes place on Friday 3 February at MSN UK’s offices in Victoria, will look at the latest tools, strategies and approaches in online journalism and the use of digital technologies for innovative news production.
As well as panel sessions there will also be a workshop period within the conference agenda, looking in more details at specific topics including search engine optimisation and data journalism, with the help of industry experts.
Tableau’s senior product consultant Andy Cotgreave will be joining the data journalism workshop, to be given by the Guardian’s award winning data journalist Simon Rogers,and will showcase how Tableau can be used by journalists to create interactive charts and share them online.
“Tableau are delighted to be sponsoring news:rewired on 3 February,” Cotgreave said. “Our mission, to help people see and understand their data, is especially relevant to journalists who need to navigate their way through mountains of data quickly to discover the compelling stories hidden within.
“We look forward to sharing stories and learning how journalists are managing the deluge of data.”
As well as the Guardian, a number of news outlets use Tableau Public to produce interactive graphics, including the Wall Street Journal, the Huffington Post, the Washington Post and Argentina’s La Nación.
You can still buy tickets for news:rewired – media in motion for just £130 (+VAT). Book yours now at this link to avoid disappointment.
January 04 2012
2011: the UK hyper-local year in review
In this guest post, Damian Radcliffe highlights some topline developments in the hyper-local space during 2011. He also asks for your suggestions of great hyper-local content from 2011. His more detailed slides looking at the previous year are cross-posted at the bottom of this article.
2011 was a busy year across the hyper-local sphere, with a flurry of activity online as well as more traditional platforms such as TV, Radio and newspapers.
The Government’s plans for Local TV have been considerably developed, following the Shott Review just over a year ago. We now have a clearer indication of the areas which will be first on the list for these new services and how Ofcom might award these licences. What we don’t know is who will apply for these licences, or what their business models will be. But, this should become clear in the second half of the year.
Whilst the Leveson Inquiry hasn’t directly been looking at local media, it has been a part of the debate. Claire Enders outlined some of the challenges facing the regional and local press in a presentation showing declining revenue, jobs and advertising over the past five years. Her research suggests that the impact of “the move to digital” has been greater at a local level than at the nationals.
Across the board, funding remains a challenge for many. But new models are emerging, with Daily Deals starting to form part of the revenue mix alongside money from foundations and franchising.
And on the content front, we saw Jeremy Hunt cite a number of hyper-local examples at the Oxford Media Convention, as well as record coverage for regional press and many hyper-local outlets as a result of the summer riots.
I’ve included more on all of these stories in my personal retrospective for the past year.
One area where I’d really welcome feedback is examples of hyper-local content you produced – or read – in 2011. I’m conscious that a lot of great material may not necessarily reach a wider audience, so do post your suggestions below and hopefully we can begin to redress that.
December 07 2011
The rise of local media sales partnerships and 19 other recent hyper-local developments you may have missed
In this guest post Ofcom’s Damian Radcliffe cross-publishes his latest presentation on developments in hyperlocal publishing for September-October, and highlights how partnerships are increasingly important for hyper-local, regional and national media in terms of “making it pay”.
When producing my latest bi-monthly update on hyper-local media, I was struck by the fact that media sales partnerships suddenly seem to be all the rage.
In a challenging economic climate, a number of media providers – both big and small – have recently come together to announce initiatives aimed at maximising economies of scale and potentially reducing overheads.
At a hyperlocal level, the launch on 1st November of the Chicago Independent Advertising Network (CIAN), saw 15 Chicago community news sites coming together to offer a single point of contact for advertisers. These sites “collectively serve more than 1 million page views each month.”
This initiative follows in the footsteps of other small scale advertising alliances including the Seattle Indie Ad Network and Boston Blogs.
These moves – bringing together a range of small scale location based websites – can help address concerns that hyper-local sites are not big enough (on their own) to unlock funding from large advertisers.
CIAN also aims to address a further hyper-local concern: that of sales skills. Rather than having a hyperlocal practitioner add media sales to an ever expanding list of duties, funding from the Chicago Community Trust and the Knight Community Information Challenge allows for a full-time salesperson.
Big Media is also getting in on this act.
In early November Microsoft, Yahoo! and AOL agreed to sell each other’s unsold display ads. The move is a response to Google and Facebook’s increasing clout in this space.
Reuters reported that both Facebook and Google are expected to increase their share of online display advertising in the United States in 2011 by 9.3% and 16.3%.
In contrast, AOL, Microsoft and Yahoo are forecast to lose share, with Facebook expected to surpass Yahoo for the first time.
Similarly in the UK, DMGT’s Northcliffe Media, home to 113 regional newspapers, recently announced it was forging a joint partnership with Trinity Mirror’s regional sales house, AMRA.
This will create a commercial proposition encompassing over 260 titles, including nine of the UK’s 10 biggest regional paid-for titles. Like The Microsoft, Yahoo! and AOL arrangement, this new partnership comes into effect in 2012.
These examples all offer opportunities for economies of scale for media outlets and potentially larger potential reach and impact for advertisers. Given these benefits, I wouldn’t be surprised if we didn’t see more of these types of partnership in the coming months and years.
Damian Radcliffe is writing in a personal capacity.
Other topics in his current hyperlocal slides include Sky’s local pilot in NE England and research into the links between tablet useand local news consumption. As ever, feedback and suggestions for future editions are welcome.
November 16 2011
In Journalism Class, Think Visceral
"Beyond J-School 2011" is sponsored by the CUNY Graduate School of Journalism, which offers an intensive, cutting edge, three semester Master of Arts in Journalism; a unique one semester Advanced Certificate in Entrepreneurial Journalism; and the CUNY J-Camp series of Continuing Professional Development workshops focused on emerging trends and skill sets in the industry.
This week on MediaShift, we're exploring the moving target that is teaching journalism. Stay tuned as we offer tips, tools and insights on educating tomorrow's journalists.
Every semester I conduct a small experiment with the undergrads in my Journalism in the 21st Century course. On the day devoted to discussing media consumption, they walk into class and I ask for their cell phones. They blink, then laugh, then gape as I collect their phones and pile them in a corner behind me.
They're not allowed to use cell phones during class, so it really shouldn't matter where the handsets are for the next hour and 15 minutes. Yet I can tell with every furtive corner-ward glance (to say nothing of the twitching if one of the phones beeps or buzzes), that students are in serious tech-withdrawal.
The best part is, they can tell too.
Yes, they also study Pew Research Center data chronicling Americans' news habits, and they log their own habits for self-study and comparison. They even read about some of the neuroscience behind the brain's dependence on info gadgets. But my hope is that the in-class experiment is visceral enough to help cement the lesson.
As a college educator in the 21st century, I am always trying to think visceral. We know that students increasingly crave stimulation, surprise and interactivity, but we deliberately push against the current. We think students benefit by being forced to focus on something -- anything -- that isn't byte-sized. We think we are lowering our academic standards if we cater to ever-shrinking attention spans.
In many ways, we are right.
But we're also kidding ourselves if we don't acknowledge the changing needs and habits of our target audience. They might engage enough to pass the class, but I worry about what stays with them once the semester is over. It's worth trying to attach a memorable image or immersive experience to the lessons I would have taught anyway -- just in case.
Here are some things worth trying:
Tune in

Thinking visceral usually involves teaching visual. There was a time when this meant composing a PowerPoint presentation. It's graphic. It's colorful. Sometimes it's even animated, if you can figure out how to swoop text around. But today's students are so inured to stimulants that it is simply their version of a chalkboard: two-dimensional, text-heavy and often boring.
You can try spicing up your PowerPoint presentations, or you can try a different visual route altogether.
I have journalism students read scholarly work by sociologist Manual Castells about the shifting powers of communication in what he calls the "Network Society." We then talk in class about the vertical structure of top-down, Industrial Age mass media and the horizontal structure of today's all-access, Information Age media. I could (and I have) used PowerPoint to highlight Castells' main themes. But I have better success illustrating them through a series of short scenes from journalism-related shows and films, culled from YouTube and DVDs.

We start with Charles Foster Kane in his newsroom in "Citizen Kane," then move onto Bob Woodward chasing down a lead in "All the President's Men" (the scene I show is described here), then news staffers gathering for a grim announcement in the last season of HBO's "The Wire." If there's time, I squeeze in a short clip from the 2009 film "State of Play." After each one, I ask students: Is this depicting a vertical communication system, a horizontal system, or some convergence of the two? Who holds the power in this system? What is their pursuit?
Such scenes help crystallize the power shift I am trying to track, and become quick reference points as students process the idea that they have unprecedented power and responsibility in the Network Society.
I try a similar approach when we get to the resurgence of partisan journalism. Students often say they don't understand how the opinionated bluster of a Bill O'Reilly or a Keith Olbermann can draw large audiences. This time, I go for the visceral first by having them watch some video clips for homework. I choose a "straight" news interview with a direct participant in the story, a commentary on the issue by a conservative media figure, and another one by a liberal counterpart. The more bluster the better.
The next day in class, I have students quickly say what they remember from the clips. Almost always, the memories are of the commentators' name-calling or insults. (When I did this once with the proposed Islamic Center in lower Manhattan, only one student recalled the dry but informative CNN interview with the center's own imam, but only to point out anchor Soledad O'Brien's "rude" interruptions.)
In this way, students live the lesson before they study it. When they then read research on higher retention of opinionated versus straight news, they can't question why people gravitate toward an O'Reilly type, because they've done it themselves.
Get out
Teaching visual doesn't just mean bringing multimedia into the classroom. We have the opportunity to bring students into the subject matter because we are studying a living, breathing profession. I can almost hear the jokes about life support or breathing tubes, and I understand. Yes, newspapers are contracting and in some cities shuttering, but the number and variety of media companies have only grown in the digital age. Students have more to study than ever before. Plus, we have two advantages when trying to arrange such field trips: Journalists usually are happy to evangelize to future generations, and they happen to already believe in the concept of transparency.
And in any case, it doesn't have to be limited to media businesses. My students tour The New York Times every semester, but they also see the CUNY Graduate School of Journalism. They see grad students, high-tech equipment, and professors whose work they have read for class. It's just the right blend of the familiar and the aspirational.
Own it
If part of your plan is to teach students that they have unprecedented power in today's media world, then let them feel the weight of that power.
Many journalism graduate schools are doing a great job of incorporating business education and entrepreneurship into their programs. Why not give undergrads an early taste? Have students formulate business plans for their own media companies, then pitch their ideas as if their classmates are investors. With the Knight News Challenge and other start-up funding out there, you never know what kind of initiative this will spark in students.
For more advanced students, why not have them cultivate a real product? Using a San Francisco State University course as a model, I have students create a WordPress blog on a topic of their choosing, then spend the semester posting text, photos, audio, video, mapping and other digital content to their site. They must market their blogs through social media, and track their success through web analytics. They are free to continue or disable the blogs after the semester is over, but at least they have a practice run at managing their own journalistic content.
Again, these ideas are meant to supplement, not replace, the lesson plans of any journalism or media course. I don't want my students to simply pass my class. I want them to think differently about the way they produce and consume media in their own lives. If that means pushing more visceral experiments and experiences into the class calendar, it's worth it.
Alexa Capeloto is a journalism professor at John Jay College of Criminal Justice/City University of New York. She earned her master's degree at Columbia's Graduate School of Journalism, and spent 10 years as a metro reporter and editor at the Detroit Free Press and the San Diego Union-Tribune before transitioning into academia.
"Beyond J-School 2011" is sponsored by the CUNY Graduate School of Journalism, which offers an intensive, cutting edge, three semester Master of Arts in Journalism; a unique one semester Advanced Certificate in Entrepreneurial Journalism; and the CUNY J-Camp series of Continuing Professional Development workshops focused on emerging trends and skill sets in the industry.
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July 25 2011
The style challenge
Time was when a journalist could learn one or two writing styles and stick with them. They might command enormous respect for being the best at what they did. But sometimes, when that journalist moved to another employer, their style became incongruous. And they couldn’t change.
This is the style challenge, and it’s one that has become increasingly demanding for journalists in an online age.
Because not only must they be able to adapt their style for different types of reporting; not only must they be able to adapt for different brands; not only must they be able to adapt their style within different brands across multiple media; but they must also be able to adapt their style within a single medium, across multiple platforms: Twitter, Facebook, blogs, Flickr, YouTube, or anywhere else that their audiences gather.
Immersion and language
Style is a fundamental skill in journalism. It is difficult to teach, because it relies on an individual immersing themselves in media, and doing so in a way that goes beyond each message to the medium itself. This is why journalism tutors urge their students so strongly to read as many newspapers as they can; to watch the news and listen to it, obsessively. Without immersion it is difficult to speak any language.
Now, some people do immerse themselves and have a handle on current affairs. That’s useful, but not the point.
Some do it and gain an understanding of institutions and audiences (that one is left-leaning; this one is conservative with a small c, etc.).
This is also useful, but also not the point.
The point is about how each institution addresses each audience, and when.
Despite journalists and editors often having an intuitive understanding of this difference in print or broadcast, over the last decade they’ve often demonstrated an inability to apply the same principles when it comes to publishing online.
And so we’ve had shovelware: organisations republishing print articles online without any changes. We’ve had opinion columns published as blogs because ‘blogs are all about opinion’. And we’ve had journalists treating Twitter as just another newswire to throw out headlines.
This is like a person’s first attempt at a radio broadcast where they begin by addressing “Hey all you out there” as if they’re a Balearic DJ. Good journalists should know better.
Style serves communication
Among many other things a good journalism or media degree should teach not just the practical skills of journalism but an intellectual understanding of communication, and by extension, style.
Because style is, at its base, about communication. It is about register: understanding what tone to adopt based on who you are talking to, what you are talking about, the relationship you seek to engender, and the history behind that.
As communication channels and tools proliferate, we probably need to pay more attention to that.
Journalists are being asked to adapt their skills from print to video; from formal articles to informal blog posts; from Facebook Page updates to tweets.
They are having to learn new styles of liveblogging, audio slideshows, mapping and apps; to operate within the formal restrictions of XML or SEO.
For freelance journalists commissioning briefs increasingly ask for that flexibility even within the same piece of work, offering an extra payments for an online version, a structured version, a podcast, and so on.
These requests are often quite basic – requiring a list of links for an online version, for example – but as content management systems become more sophisticated, those conditions will become more stringent: supplying an XML file with data on a product being reviewed, for example, or a version optimised for search.
What complicates things further is that, for many of these platforms, we are inventing the language as we speak it.
For those new to the platform, it can be intimidating. But for those who invest time in gaining experience, it is an enormous opportunity.
Because those who master the style of a blog, or Facebook, or Twitter, or addressing a particular group on Flickr, or a YouTube community, put themselves in an incredible position, building networks that a small magazine publisher would die for.
That’s why style is so important – now more than ever, and in the future more than now.
July 12 2011
July 06 2011
How Important Are Writing Skills for Modern Journalists?
When I ask my university journalism students why exactly they want to be journalists, a majority tell me it's because they "like to write."
Considering most of them are in their 20s and grew up with the Internet, this response always surprises me. With a seemingly endless supply of emerging technology and digital storytelling tools at their fingertips, why pursue journalism exclusively for love of the written word?
A love of writing is one of many reasons I chose to pursue journalism, so I understand where they're coming from. But after working as a newspaper reporter from 2000 to 2004, I took a job as assistant editor at an online magazine in San Francisco, where my priorities shifted from words to podcasts and audio blogs. During a fellowship that followed at a national magazine, I took on all sorts of web duties: blogging, content management systems, video, digital audio, and visualized data projects. I continued to write, but it was only one of many daily newsroom tasks. The web was opening the floodgates in terms of how journalists tell stories, and I've been embracing it ever since.
I relocated from San Francisco to London nearly three years ago when my wife took a job here, and I've been lucky enough to take these web experiences and apply them to teaching postgraduate and undergraduate journalism classes at City University London and the London School of Journalism. Because students come to me for classes in online journalism -- in which writing takes a backseat to widgets, HTML, audio, video, live-blogging, tweeting, and data visualizations -- I often feel like telling my students who really love to write: "Sorry, you've come to the wrong place. The creative writing lecture is down the hall."
Writing is low on the priority list in our online journalism classes, not because I want it to be, but because we've got limited time to focus on other things. During two-hour classes, students create individual or group websites and learn how to operate online content management systems. They produce audio slideshows, podcasts and videos. They join online communities or create their own. They gather raw data and use it to create online visualizations. They tinker with HTML and CSS, and dissect their website's analytics, among many other tasks.
By the end of term, students will produce a body of multimedia journalism work and become active participants in an online network throughout which they can disseminate their work. Students complete many of our projects without writing a piece of text longer than an average tweet, which can be a major letdown for budding wordsmiths.
Wait, this is what I signed up for?

The student journalists my colleagues and I teach are not being trained to be writers; they're being encouraged to become multimedia producers, mobile reporters, hackers, graphic designers, website scrapers, and web entrepreneurs. With these goals in mind, we give them tools to help them get started. But how happy are they about it? Sometimes, not very. This past term, student uneasiness and confusion over the online journalism curriculum became so heated that one large hall lecture was interrupted by a large group complaining that the assignments were confusing and did not benefit their journalism career ambitions. At least one special discussion session with an instructor had to be scheduled outside of lectures to soothe the tension, and I spent several subsequent classes explaining the purpose of the assignments, rather than teaching actual skills.
This incident made me wonder if we, the lecturers, are more excited about the possibilities of web journalism than the students are. Their dream to write is easily deferred by a curriculum that leaves little room for discussion about writing style and technique. We're constantly telling them to write snappier, say what they need to with as few words as possible, and link to the rest, so how can they truly develop a unique writing voice in our classes? They need to do that on their own time or in another class, which inevitably causes some of them to then draw a line between "real" journalism and "web" journalism.
Maybe half of my students are from the U.K., and the others come from Europe, Africa, Asia, and the United States. Their online journalism perspectives vary greatly. Some have already created websites, utilize multiple social networks, can produce digital audio, and know Final Cut Pro. Some do not know what a memory stick is, what acronyms like "CSS," "HTML" or "CMS" stand for or how to connect to WiFi. Some are eager to learn tech skills, but many spend a lot of time asking what all of these digital tools have to do with journalism in the first place, and are eager to get back to writing.
The strange thing is, when I do set aside time to discuss or critique their online writing, I'm surprised at how lackluster some of it really is. Many lack a firm grasp of the Who, What, Why, Where and How. They have a difficult time explaining seemingly simple but important details such as "what has happened?" and "why does it matter?" or "how did it happen?" and "who is affected?" When they do write, it often lacks specificity. For some, this is partly attributed to the fact that English is not their native language. But the majority of them are anxious to throw content up on the web quickly without properly explaining what the content actually is.
Techie or journalist?
Some students, consciously or not, separate "online" journalism from "print" journalism because the former doesn't involve the traditional type of writing they're used to. If my students are a legitimate qualitative litmus test, it's safe to say there's a gap between student ideas of what journalism is, and how we actually train them to do journalism in 2011. Since we, as online journalism instructors, focus on instruments of technology rather than artful prose, there's an element of confusion among students as to what online journalism really is. Is it journalism, or is it technology? For many, the combination of both is jarring, and bridging the gap between the two is a struggle, especially for aspiring writers.
Because of this gap, many students confuse online journalism with information technology or tech support, which makes me think that we need to do more to help close that gap. For example, one of my students, in a recent email request to join their LinkedIn network, included a message that sums up this confusion in one brief sentence: "Hi Gary, I was in one of your IT classes last year. Hope all's well!"
I don't teach IT classes. Or do I?
Written word photo by Jeffrey James Pacres on Flickr.
Gary Moskowitz is a freelance journalist based in London. He blogs for the New York Times and Intelligent Life and has written for TIME Magazine. He teaches at City University London and London School of Journalism.
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June 30 2011
June 27 2011
My online journalism book is now out
The Online Journalism Handbook, written with Liisa Rohumaa, has now been published. You can get it here.
I’ve been blogging throughout the process of writing the book – particularly the chapters on data journalism, blogging and UGC – and you can still find those blog posts under the tag ‘Online Journalism Book‘.
Other chapters cover interactivity, audio slideshows and podcasting, video, law, some of the history that helps in understanding online journalism, and writing for the web (including SEO and SMO).
Meanwhile, I’ve created a blog, Facebook page and Twitter account (@OJhandbook) to provide updates, corrections and additions to the book.
If you spot anything in the book that needs updating or correcting, let me know. Likewise, let me know what you think of the book and anything you’d like to see added in future.
June 11 2011
Raju Narisetti, Washington Post: news brands, get more creative, engaging and useful
Forbes :: There has never been a better time to be a journalist for The Post, writes Raju Narisetti, Managing Editor, The Washington Post. In 2010, 29.3 million readers read some 270 million pages of Post journalism each month, a record for The Washington Post. Of that, 28.1 million did so online and, while The Post brought in 4.2 million new readers on average each month compared to the previous year, they also lost some 35,000 print subscribers in 2010 alone.
[Raju Narisetti:] Revenues from online advertising too haven't really caught up. Cost cutting and trying to make online readers pay, may not be the answer. The news brands need to get creative and make their content easier, more engaging and useful.
So, what's the big deal you might ask?
Continue to read Raju Narisetti, www.forbes.com
April 20 2011
Ethical? Illegal? Ineffective? PR firms offering bloggers prizes-to-post
A PR firm recently invited me to review their client’s product, saying that if I did review it I would be entered into a prize draw with other ‘qualifying’ bloggers to win an iPad 2.
It was a product I might ordinarily have covered, but this approach made me reluctant.
Here’s reason number 1: I asked myself whether the PR firm will have made the same approach to print journalists. I doubt it. Why? Because it would have raised obvious ethical issues, and questioned the journalists’ professionalism.
So were they assuming that bloggers had different ethics? I doubt they thought that hard – more likely was that some bright spark thought that eager, amateur bloggers would jump at the chance to get anything for their hard work.
Here’s reason number 2: other bloggers will have been approached with the same offer. If they saw me review the product they would assume that I had done so in exchange for this prize draw ticket. They would see me as unprofessional, unethical, or both.
In PR terms, then, the approach was counter-productive: it actually made me less likely to give their client coverage.
And it stems from a misunderstanding of many bloggers: because they blog for free, their reputation is the only value they hold. The bloggers with the biggest reputations and the biggest audiences are the least likely to risk that in exchange for the chance to win something (in many cases those reputations lead directly to paid work).
But is it legal?
Beyond the PR objectives, there are real legal issues here. A prize draw like this constitutes a lottery, and as such needs permission from the Gambling Commission.
Likewise, blogging in exchange for entry into the competition probably constitutes payment (I’m not sure whether they felt a competition might avoid this issue) and as such should be declared by the blogger.
The Office of Fair Trading, for example, last year required blogging network Handpicked Media to declare whether content had been paid for. A key quote from the OFT states “We expect online advertising and marketing campaigns to be transparent so consumers can clearly tell when blogs, posts and microblogs have been published in return for payment or payment in kind.” [my emphasis].
Staff at the OFT refused to comment on specific cases or examples but their general advice was that any payment for content should be disclosed.
From last month the Advertising Standards Authority also extended its remit to cover online “marketing communications”, including those on third party sites such as Twitter.
Rob Griggs from the ASA’s press team confirmed that offering entry into a prize draw in return for coverage would constitute payment, but the ASA would only be concerned if the published content had been directly provided by the company that would come under our code.
If the blogger is writing their own review then this would not be covered by the ASA’s code. That said, the ASA have not yet had any complaints in this area and there is no precedent to go on. A test case may clarify the position further.
Of course I may be alone in thinking about all of this. Are you a PR agency who has found this tactic effective? A blogger who has been approached as part of a similar campaign? I’d welcome some other opinions.
April 11 2011
Data for journalists: understanding XML and RSS
If you are working with data chances are that sooner or later you will come across XML – or if you don’t, then, well, you should do. Really.
There are some very useful resources in XML format – and in RSS, which is based on XML – from ongoing feeds and static reference files to XML that is provided in response to a question that you ask. All of that is for future posts – this post attempts to explain how XML is relevant to journalism, and how it is made up.
What is XML?
XML is a language which is used for describing information, which makes it particularly relevant to journalists – especially when it comes to interrogating large sets of data.
If you wanted to know how many doctors were privately educated, or what the most common score was in the Premiership last season, or which documents were authored by a particular civil servant, then XML may be useful to you.
(That said, this post doesn’t show you how to do any of that – it is mainly aimed at explaining how XML works so that you can begin to think about those possibilities.)
XML stands for “eXtensible Markup Language”. It’s the ‘markup’ bit which is key: XML ‘marks up’ information as being something in particular: relating to a particular date, for example; or a particular person; or referring to a particular location.
For example, a snippet of XML like this -
<city>Paris</city>
<country>France</country>
- tells you that the ‘Paris’ in this instance is a city, rather than a celebrity. And that it’s in France, not Texas.
That makes it easier for you to filter out information that isn’t relevant, or combine particular bits of information with data from elsewhere.
For example, if an XML file contains information on authors, you can filter out all but those by the person you’re interested in; if it contains publication dates, you can use that to plot associated content on a timeline.
Most usefully, if you have a set of data yourself such as a spreadsheet, you can pull related data from a relevant XML file. If your spreadsheet contains football teams and the XML provides locations, images, and history for each, then you can pull that in to create a fuller picture. If it contains addresses, there are services that will give you XML files with the constituency for those postcodes.
What is RSS?
RSS is a whole family of formats which are essentially based on XML – so they are structured in the same way, containing ‘markup’ that might tell you the author, publication date, location or other details about the information it relates to.
There is a lot of variation between different versions of RSS, but the main thing for the purposes of this post is that the various versions of RSS, and XML, share a structure which journalists can use if they know how to.
Which version isn’t particularly important: as long as you understand the principles, you can adapt what you do to suit the document or feed you’re working with.
Looking at XML and RSS
XML documents (for simplicity’s sake I’ll mostly just refer to ‘XML’ for the rest of this post, although I’m talking about both XML and RSS) contain two things that are of interest to us: content, and information about the content (‘markup’).
Information about the content is contained within tags in angle brackets (also known as chevrons): ‘<’ and ‘>’
For example: <name> or <pubDate> (publication date).
The tag is followed by the content itself, and a closing tag that has a forward slash, e.g. </name> or </pubDate>, so one line might look like this:
<name>Paul Bradshaw</name>
At this point it’s useful to have some XML or RSS in front of you. For a random example go to the RSS feed for the Scottish Government News.
To see the code right-click on that page and select View Source or similar – Firefox is worth using if another browser does not work; the Firebug extension also helps. (Note: if the feed is generated by Feedburner this won’t work: look for the ‘View Feed XML‘ button in the middle right area or add ?format=xml to the feed URL).
What you should see will include the following:
<item> <title>Manufactured Exports Q4 2010</title> <link>http://www.scotland.gov.uk/News/Releases/2011/04/06100351</link> <description>A National Statistics publication for Scotland.</description> <guid isPermaLink="true">http://www.scotland.gov.uk/News/Releases/2011/04/06100351</guid> <pubDate>Wed, 06 Apr 2011 00:00:00 GMT</pubDate> </item>
In the RSS feed itself this doesn’t start until line 14 (the first 13 lines are used to provide information about the feed as a whole, such as the version of RSS, title, copyright etc).
But from line 14 onwards this pattern repeats itself for a number of different ‘items’.
As you can see, each item has a title, a link, a description, a permalink, and a publication date. These are known as child elements (the item is the parent, or the ‘root element’).
More journalistic examples can be found at Mercedes GP’s XML file of the latest F1 Championship Standings (see the PS at the end of Tony Hirst’s post for an explanation of how this is structured), and MySociety’s Parliament Parser, which provides XML files on all parts of government, from MPs and peers to debates and constituencies, going back over a decade. Look at the Ministers XML file in Firefox and scroll down until you get to the first item tagged <ministerofficegroup>. Within each of those are details on ministerial positions. As the Parliament Parser page explains:
“Each one has a date range, the MP or Lord became a minister at some time on the start day, and stopped being one at some time on the end day. The matchid field is one sample MP or Lord office which that person also held. Alternatively, use the people.xml file to find out which person held the ministerial post.”
You’ll notice from that quote that some parts of the XML require cross-referencing to provide extra details. That’s where XML becomes very useful.
Using it in practice: working with XML in Yahoo! Pipes
Yahoo! Pipes provides a good introduction in working with data in XML or RSS. You’ll need to sign up at Pipes.Yahoo.com and click on ‘Create a Pipe‘.
You’ll now be editing a new project. On the left hand column are various ‘modules’ you can use. Click on ‘Sources‘ to expand it, and click and drag ‘Fetch Feed’ onto the graph paper-style canvas.
Copy the address of your RSS feed and paste it into the ‘Fetch Feed’ box. I’m using this feed of Health information from the UK government.
If you now click on the module so that it turns orange, you should be able (after a few moments) see that feed in the Debugger window at the bottom of the screen.
Click on the handle in the middle to pull it up and see more, and click on the arrows on the left to drill down to the ‘nested’ data within each item.
As you drill down you can see elements of data you can filter. In this case, we’ll use ‘region‘.
To filter the feed based on this we need the Filter module. On the left hand side click on ‘Operators‘ to expand that, and then drag the ‘Filter‘ module into the canvas.
Now drag a pipe from the circle at the bottom of the ‘Fetch Feed’ module to the top of the ‘Filter’ module.
Wait a moment for the ‘Filter’ module to work out what data the RSS feed contains. Then use the drop down menus so that it reads “Permit items that match all of the following”.
The next box determines which piece of data you will filter on. If you click on the drop-down here you should see all the pieces of data that are associated with each item.
We’re going to select ‘region’, and say that we only want to permit items where ‘region’ contains ‘North West’. If any of these don’t make any sense, look at the original RSS feed again to see what they contain.
Now drag a final pipe from the bottom of the ‘Filter’ module to the top of ‘Pipe output‘ at the bottom of the canvas. If you click on either you should be able to see in the Debugger that now only those items relating specifically to the North West are displayed.
If you wanted to you could now save this and click ‘Run Pipe‘ to see the results. Once you do you should notice options to ‘Get as RSS‘ – this would allow you to subscribe to this feed yourself or publish it on a website or Twitter account. There’s also ‘Get as JSON’ which is a whole other story – I’ll cover JSON in a future post.
You can see this pipe in action – and clone it yourself – here.
Oh, and a sidenote: if you wanted to grab an XML file in Yahoo! Pipes rather than an RSS feed, you would use ‘Fetch Data’ instead of ‘Fetch Feed’.
Just the start
There’s much more you can do here. Some suggestions for next steps:
- Try using the Text Input module in Yahoo! Pipes, dragging a line from that to where you typed ‘North West’, for example
- Try playing with the importXML formula in Google Spreadsheets
- Try using matching data in a spreadsheet with data from an XML file using Google Refine.
Those are for future posts. For now I just want to demonstrate how XML works to add information-about-information which you can then use to search, filter, and combine data.
And it’s not just an esoteric language that is used by a geeky few as part of their newsgathering: journalists at Sky News, The Guardian and The Financial Times – to name just a few – all use this as a routine part of publishing, because it provides a way to dynamically update elements within a larger story without having to update the whole thing from scratch – for example by updating casualty numbers or new dates on a timeline.
And while I’m at it, if you have any examples of XML being used in journalism for either newsgathering or publishing, let me know.
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