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Thanks to new funding from Knight Foundation, the Internet Archive is expanding its collection of TV news broadcasts. The archive also plans to build a better search and user experience around the clips, which can only be viewed online and not downloaded.
The expansion plan is being supported by $1 million in funding from Knight Foundation. With this support, we will grow our TV News Search & Borrow service, which currently includes more than 400,000 broadcasts dating back to June 2009, to add hundreds of thousands of new broadcasts. This means helping inform and engage communities by strengthening the work of journalists, scholars, teachers, librarians, documentarians, civic organizations and others dedicated to public benefit.With TV News Search & Borrow, these folks can use closed captioning that accompany news programs to search for information. They can then browse short-streamed video clips and share links to specific ones.
Following the growing trend for animation re-enactments of news stories in Taiwan and Hong Kong TV broadcasts, Time Magazine this week detailed the successes of one of the companies behind these videos, Next Media Animation.
According to the report, the Taiwan news service produces more than 30 computer-animated re-constructions every day, from Lindsay Lohan’s prison term to Gordon Brown’s rumoured bullying to the actions of Steve Slater, the US air steward who abandoned his plane by emergency slide after an altercation with a passenger.
The company reportedly had a bid for a cable licence denied last year, due to “the sensational nature” of some animations. As a result Next Media launched as an online news channel and has been live for around two weeks, according to the feature.
Next Media’s commercial director Mark Simon is quoted by Time Magazine as saying that in the near future “if you don’t have an animation in your news sequence, it’s going to be like not having colour photographs in a newspaper.”
Following the Time Magazine article, Lostremote.com picked the story up and asked whether animations like Slater’s slide exit, which it reports is receiving more than four million views a day on Next Media’s site, could become a hit with Western audiences.
I can imagine it starting with tabloid TV, but can’t rule out some station using a variation of animated news. After all, we use some animations already (think of an animation showing a plane going down a runway, taking off and crashing). This is another step entirely. While it’s clear the stuff is animated, will that be enough to keep news from crossing the line into fiction? Judging from the popularity, it’s clear the audience likes this stuff. But is it local news-worthy?
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I was disappointed after this year’s NPPA Best of Photojournalism Multimedia Contest results were posted . In the News Video category, I won an honorable mention. Great! That’s until I realized my video was the only award given in the category. What gives? This is the second year in a row I’ve placed in this News Video category. Last year I received a 2nd place, , but no third was given. This troubles me. Not because I didn’t place higher, but because the judges didn’t see a video that reached a high enough level of excellence to place.
During an online chat on the Poynter Institute’s website, I asked the judges:
“Why didn’t you award first through third in news video?”
The Response:
1:27 theresa: @colin – this was a real struggle for us. Many were full of technical errors and ignored the basic principles of photojournalism. We saw lots of evidence of urgency, however we really couldn’t award anything that had technical or fundamental errors.
I stewed about this for a time. Then after helping judge the NPPA’s Monthly Multimedia Contest last week, I began to understand the BOP judge’s dilemma.
Bottom line: Video at newspapers needs to improve. Dramatically.
The problems I continually see:
Storytelling
Many still photographers have not transitioned their storytelling skills effectively to video. Editing a video story is different from editing still photos for a newspaper picture story. With video, you have to master the fundamentals of sequencing and audio before you can tell an effective story in video. Too many still photojournalists have dipped their toes in the video world with limited training and it shows.
Bland Videos
Many newspaper-produced video stories are boring. The best stories have surprises sprinkled throughout the timeline, which helps keep the viewer engaged. This is mature storytelling that most newspaper video producers have failed to master.
Structure
A great video story is one that pulls you in from the opening sequence and never let’s go of your attention until it fades out at the end. Weak video jars you out of the moment, whether it’s from a technical issue like distorted audio, or from a narrative that fails to captivate the viewer. So many things can go wrong with a video story. Understanding these pitfalls is the first step to avoiding them.
Editing
You can have great raw video, but fail miserably in the edit. Pacing, narration, use of transitions, sequencing, layering and mixing audio all have to come together like a well–oiled orchestra to make a video story work. Fail at anyone of these and your house of cards comes a tumblin’ down.
Journalism
Lots of newspaper-produced video is weak in basic journalism. Many videos I’ve watched have only one person as the subject. How many print news stories would get past an editor with only one source?
Narration
For the longest time I told myself that I didn’t want my videos to be like TV. I worked hard at telling a story by using only the subjects as my narrative spine. What you risk, doing it this way, is a story that rambles along and is not defined until long after the viewer has hit the back button. Get past the idea that narration is a bad thing. Good scripting moves a story along and serves as an objective voice for facts.
Collaboration
So you say you hate the sound of your voice and you don’t feel comfortable writing a script. Then get out into your newsroom and find a writer with a great voice and collaborate. I like to voice my own videos, but I also know my limitations. Some of my best work has been when I’ve worked with a reporter on a video story. I shoot and edit the story; he or she scripts and does the voiceover. We play to each other strengths. The final product, in the end, is better than if I tried to do it all myself.
Solutions?
When I started this blog, I wrote a post called “Can’t we all just get along?.” The crux of that post : TV news shooters have done video storytelling decades longer than us newbie’s in the newspaper biz, and we can learn a lot from their successes. If you are lucky enough to go to a TV video workshop, you’ll get the fundamentals drilled into your head–Shoot wide, medium tight, super tight. Shoot action, then reaction. Get that camera on sticks! Use a wireless mic. Gather natural sound. What’s your opener? Closer? And, for Christ sake, white balance your video!
These are the just the basics of video news production. Yet many newspaper video producers are still unaware of these fundamentals.
If you can, my advise is enroll in a video production workshop like the Platypus, or the NPPA’s Multimedia Immersion Workshop that is coming in May. Until you know what you are doing wrong you can’t improve your video storytelling.
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