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21:11

What we’re watching: picturing mercy, breaking down remixes, and garage fighting with keyboards (really)

You bulked up your movie-watching to prepare for the Oscars, and now they’re over. What next? If you’re pining for some new things to see, we’ve got some options for you. And for better or worse, none of them involve Kirk Douglas.

Afghanistan, February 2011,” assembled by Alan Taylor at The Atlantic (who previously founded The Boston Globe’s “The Big Picture”). If you aren’t a regular visitor to Taylor’s curation of images at “In Focus,” you should be. These particular photos display the range of beauty, play, suffering and violence that make up everyday life for the people of Afghanistan and the soldiers stationed there.

See “What Does Mercy Look Like?” over at The New York Times’ Lens blog. It’s a post about “The Mercy Project/Inochi,” a project curated by James Whitlow Delano.  Also: check out the amazing Alessandra Sanguinetti image in this earlier Lens post. (It’s the color image halfway down the post.)

Uppercut” by California Is a Place continues Drea Cooper and Zackary Canepari’s run of disturbing, intimate and strange stories. This time out, they paint a portrait of a “Gentlemen’s Fighting Club,” where office geeks and martial artists battle for one-minute rounds in a suburban garage, using everything from bare fists to chairs – and yes, even computer keyboards. “I do it for the hugs,” says one competitor.

Everything Is a Remix” from Kirby Ferguson at Goodiebag.tv (via @MediaStorm). In his two-part (so far) video production, Ferguson looks at how ideas and images are swiped and retooled in film and music. The movie clips come from fictional films, but Ferguson provides a true and entertaining account of the history of cultural “borrowing.”

Image from photo gallery of “Uppercut” by California Is a Place.

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